Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 75
... person feels that it must mean something in this one , since " What is the meaning of this word ? " and " What is the meaning of this composition ? " look similar and seem like the same kind of question - not realizing that underneath ...
... person feels that it must mean something in this one , since " What is the meaning of this word ? " and " What is the meaning of this composition ? " look similar and seem like the same kind of question - not realizing that underneath ...
Pagina 98
... person's appreciation of a work of music varies directly with the intensity of his emo- tional response to it . There are many persons who are immensely moved by music - it casts a spell over them , as it does over many- dogs and birds ...
... person's appreciation of a work of music varies directly with the intensity of his emo- tional response to it . There are many persons who are immensely moved by music - it casts a spell over them , as it does over many- dogs and birds ...
Pagina 185
... person ; that done , they go into an entry in our mental catalogue and are no more really seen . In actual life the normal person really only reads the labels as it were on the objects around him and troubles no further . Almost all the ...
... person ; that done , they go into an entry in our mental catalogue and are no more really seen . In actual life the normal person really only reads the labels as it were on the objects around him and troubles no further . Almost all the ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words