Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 99
... pictures by their subjects ; whereas people who can , as often as not , have no idea what the subject of a picture is . They have never noticed the representa- tive element , and so when they discuss pictures they talk about the shapes ...
... pictures by their subjects ; whereas people who can , as often as not , have no idea what the subject of a picture is . They have never noticed the representa- tive element , and so when they discuss pictures they talk about the shapes ...
Pagina 106
... picture , apart from any story which it may be supposed to tell . My picture of " Harmony in Grey and Gold " is an illustration of my meaning a snow scene with a single black figure and a lighted tavern . I care nothing for the past ...
... picture , apart from any story which it may be supposed to tell . My picture of " Harmony in Grey and Gold " is an illustration of my meaning a snow scene with a single black figure and a lighted tavern . I care nothing for the past ...
Pagina 151
... picture . 18 · and some to infra - red , thus changing entirely the resulting picture . Infra - red , for example , pierces through clouds and presents the scene as no human eye could see it , as if the clouds were not there . X - ray ...
... picture . 18 · and some to infra - red , thus changing entirely the resulting picture . Infra - red , for example , pierces through clouds and presents the scene as no human eye could see it , as if the clouds were not there . X - ray ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words