Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 175
... poets have experienced them and as we too can experience them ; and since this , for Mr. Eastman , is the poet's aim , the poet must use language ( which was devised for practical communication ) in a way in which people do not employ ...
... poets have experienced them and as we too can experience them ; and since this , for Mr. Eastman , is the poet's aim , the poet must use language ( which was devised for practical communication ) in a way in which people do not employ ...
Pagina 181
... poet's vision as language evocatively used . To describe the experiences of a sensitive poet would be a hopeless task ; but if the poet selects his words properly , and is sufficiently a master of the verbal medium , he may be able to ...
... poet's vision as language evocatively used . To describe the experiences of a sensitive poet would be a hopeless task ; but if the poet selects his words properly , and is sufficiently a master of the verbal medium , he may be able to ...
Pagina 216
... poet's philosophy , even that philosophy which appears in his work , qualify him to a position as a poet ? Is his vision of the world relevant to the merits of his poem ? Does it make him a better poet ? And again the answer is that if ...
... poet's philosophy , even that philosophy which appears in his work , qualify him to a position as a poet ? Is his vision of the world relevant to the merits of his poem ? Does it make him a better poet ? And again the answer is that if ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words