Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina 150
... present a strong analogy to a similar phenomenon in visual art , we may touch briefly at this point on the notion of ... present only what is perceptible through the visual medium - he cannot go beyond the visual sense - modality to ...
... present a strong analogy to a similar phenomenon in visual art , we may touch briefly at this point on the notion of ... present only what is perceptible through the visual medium - he cannot go beyond the visual sense - modality to ...
Pagina 153
... present " the whole unvarnished truth . " In other words , there is ( 1 ) a decision not to exercise selec- tion in what one transcribes , and ( 2 ) a decision to transcribe faithfully ( " objectively " ) those details which one does ...
... present " the whole unvarnished truth . " In other words , there is ( 1 ) a decision not to exercise selec- tion in what one transcribes , and ( 2 ) a decision to transcribe faithfully ( " objectively " ) those details which one does ...
Pagina 200
... present such an " imaginative synthesis " ; these short poems do not have time to develop an inclusive imaginative pattern . But they do issue from imaginative vision : ... More frequently , and certainly in the case of the greater ...
... present such an " imaginative synthesis " ; these short poems do not have time to develop an inclusive imaginative pattern . But they do issue from imaginative vision : ... More frequently , and certainly in the case of the greater ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words