Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 160
... propositions , what propositions do they express ? In propositions , something is always asserted to be the case ; but what , in the case of colors and sounds , is being asserted ? How can they be said to be making assertions at all ...
... propositions , what propositions do they express ? In propositions , something is always asserted to be the case ; but what , in the case of colors and sounds , is being asserted ? How can they be said to be making assertions at all ...
Pagina 161
... proposition or assertion implicitly within itself ? What kind of implication is here meant ? Is the implied proposition logically im- plied ? But if not logically , then how ? And what are the proposi- tion or propositions which are in ...
... proposition or assertion implicitly within itself ? What kind of implication is here meant ? Is the implied proposition logically im- plied ? But if not logically , then how ? And what are the proposi- tion or propositions which are in ...
Pagina 206
... propositions about human nature which we may be able to assert after reading Dostoyevsky , which we never could in the other cases . Is there not a difference here ? Do not some works of literature at least ( certainly not all ) give us ...
... propositions about human nature which we may be able to assert after reading Dostoyevsky , which we never could in the other cases . Is there not a difference here ? Do not some works of literature at least ( certainly not all ) give us ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words