Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 34
Pagina 19
... relevant to and leading to the artistic creation , and without which he would not have created the finished work as he did . What the materials are , in any individual case , is a biographical and not an artistic question , and hence is ...
... relevant to and leading to the artistic creation , and without which he would not have created the finished work as he did . What the materials are , in any individual case , is a biographical and not an artistic question , and hence is ...
Pagina 209
... relevant . It all depends on one's definition . Is the question , then , of whether the truth and “ reality ” ( of whatever sort ) in a work of art is esthetically relevant or not merely a question of terminology ? Is it merely a call ...
... relevant . It all depends on one's definition . Is the question , then , of whether the truth and “ reality ” ( of whatever sort ) in a work of art is esthetically relevant or not merely a question of terminology ? Is it merely a call ...
Pagina 211
... relevant in the conception of a work of art which Bell has set forth . If they are relevant on this minimal view of what art is , they will certainly be relevant accord- ing to more inclusive views . To take purely factual truths first ...
... relevant in the conception of a work of art which Bell has set forth . If they are relevant on this minimal view of what art is , they will certainly be relevant accord- ing to more inclusive views . To take purely factual truths first ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words