Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 63
... reveal . " This is most generally the case when we speak of an outer act or event revealing or expressing an inner ... reveal , a feeling which he has . If he does not have the feeling of joy , then his face cannot reveal or express it ...
... reveal . " This is most generally the case when we speak of an outer act or event revealing or expressing an inner ... reveal , a feeling which he has . If he does not have the feeling of joy , then his face cannot reveal or express it ...
Pagina 65
... reveal anger although the person may not be angry at all , and he cannot reveal , at any given moment , an anger which he does not have . Hence our criterion for settling this issue is an objective fact : is he angry or not ? But in the ...
... reveal anger although the person may not be angry at all , and he cannot reveal , at any given moment , an anger which he does not have . Hence our criterion for settling this issue is an objective fact : is he angry or not ? But in the ...
Pagina 228
... reveal " it too ? There is then no a priori reason why , in the world - view of materialism , art should be entirely excluded from revealing anything about the world . Accordingly I shall pass over the portion of Sullivan's discussion ...
... reveal " it too ? There is then no a priori reason why , in the world - view of materialism , art should be entirely excluded from revealing anything about the world . Accordingly I shall pass over the portion of Sullivan's discussion ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words