Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 50
... sense , and another yet to be mentioned ) of a much stronger and more obvious kind abundantly occurs ; but music , almost entirely lacking representa- tion in these senses , is sometimes said to possess it ( particularly in program ...
... sense , and another yet to be mentioned ) of a much stronger and more obvious kind abundantly occurs ; but music , almost entirely lacking representa- tion in these senses , is sometimes said to possess it ( particularly in program ...
Pagina 222
... sense , as Professor Reid says , " everything is as real as everything else " ; everything which in some sense is , is real . Ob- viously this sense of " reality " cannot apply any more to art than to anything else . Any word , no ...
... sense , as Professor Reid says , " everything is as real as everything else " ; everything which in some sense is , is real . Ob- viously this sense of " reality " cannot apply any more to art than to anything else . Any word , no ...
Pagina 224
... sense of true- to , etc. ) . The most freakish flight of fancy may be vivid . Thus , to say that art gives us a sense of reality , and to leave it at that , is assuredly to emaciate art : for anything whatever may give a sense of ...
... sense of true- to , etc. ) . The most freakish flight of fancy may be vivid . Thus , to say that art gives us a sense of reality , and to leave it at that , is assuredly to emaciate art : for anything whatever may give a sense of ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words