Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 100
... significant form ( the esthetic emotion being limited to what is evoked by the presence of significant form ) , we are no further than we were before . And indeed Bell conveys the impression that the thing he is referring to can only be ...
... significant form ( the esthetic emotion being limited to what is evoked by the presence of significant form ) , we are no further than we were before . And indeed Bell conveys the impression that the thing he is referring to can only be ...
Pagina 116
... significant form " or " expressive form " was inaugurated in the Occident largely through Cézanne and other post - impressionists , and has been predominant in Western art since , although it appears in El Greco and indeed to some ...
... significant form " or " expressive form " was inaugurated in the Occident largely through Cézanne and other post - impressionists , and has been predominant in Western art since , although it appears in El Greco and indeed to some ...
Pagina 117
... significant form , " since the latter term has been used by Bell to denote a significance which has nothing to do with the significance of anything in life . As we have seen , however , even Bell's " sig- nificant form " is significant ...
... significant form , " since the latter term has been used by Bell to denote a significance which has nothing to do with the significance of anything in life . As we have seen , however , even Bell's " sig- nificant form " is significant ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
4 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words