Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 37
Pagina 20
... situation , and the hillside or the historical situation is their respec- tive subject - matters in the strictest possible sense . Now , it goes without saying that no artist actually does this - nature is always transformed ...
... situation , and the hillside or the historical situation is their respec- tive subject - matters in the strictest possible sense . Now , it goes without saying that no artist actually does this - nature is always transformed ...
Pagina 45
... situations ( some might prefer to say , music that was designed to do so ) . Strauss ' tone - poems , I daresay , do ... situation but does not attempt to imitate that object or tell a story ; for example , 23. Bukofzer , op . cit . , P ...
... situations ( some might prefer to say , music that was designed to do so ) . Strauss ' tone - poems , I daresay , do ... situation but does not attempt to imitate that object or tell a story ; for example , 23. Bukofzer , op . cit . , P ...
Pagina 76
... situations referred to above , but when applied to a situation such as " What does this piece of music mean ? " it does not , since the word " meaning " has been given no meaning in that context . At least it has no standard meaning ...
... situations referred to above , but when applied to a situation such as " What does this piece of music mean ? " it does not , since the word " meaning " has been given no meaning in that context . At least it has no standard meaning ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words