Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 27
... sometimes said to have emotions as its subject - matter . But is music " about " emotions in the way that Paradise Lost is about the Fall of Man ? What would it mean to say that a musical composition is about emotions , and how would ...
... sometimes said to have emotions as its subject - matter . But is music " about " emotions in the way that Paradise Lost is about the Fall of Man ? What would it mean to say that a musical composition is about emotions , and how would ...
Pagina 37
... sometimes been ques- tioned . For Mr. Bukofzer they add rather than detract : “ When we recognize the fivefold complexity of meaning and hear it as a simultaneous musical unity , we experience a feeling of immense richness . As we ...
... sometimes been ques- tioned . For Mr. Bukofzer they add rather than detract : “ When we recognize the fivefold complexity of meaning and hear it as a simultaneous musical unity , we experience a feeling of immense richness . As we ...
Pagina 134
... sometimes found in factual writings , another might do as well ; at any rate the principle being illustrated by the metaphor would be unaf- fected by the change of comparison , or even by the total absence of one - only its ...
... sometimes found in factual writings , another might do as well ; at any rate the principle being illustrated by the metaphor would be unaf- fected by the change of comparison , or even by the total absence of one - only its ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words