Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 156
... statement just quoted ) , and ( 2 ) statements which science might discover to be true or false if it cared to go to the trouble , but probably never will , with the result that these statements will forever remain " literary truths ...
... statement just quoted ) , and ( 2 ) statements which science might discover to be true or false if it cared to go to the trouble , but probably never will , with the result that these statements will forever remain " literary truths ...
Pagina 157
... statements in works of literature . For while this is perfectly true , these statements do not generally function as assertions . Al- though many of the sentences even in poems are declarative in form , such that judging by their form ...
... statements in works of literature . For while this is perfectly true , these statements do not generally function as assertions . Al- though many of the sentences even in poems are declarative in form , such that judging by their form ...
Pagina 231
... statements ? I find Sul- livan's assertions so loose , so demanding of explanation and eluci- dation , that it is difficult to know where to begin in commenting on them . Sullivan's qualification of his own statements , however , seems ...
... statements ? I find Sul- livan's assertions so loose , so demanding of explanation and eluci- dation , that it is difficult to know where to begin in commenting on them . Sullivan's qualification of his own statements , however , seems ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words