Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 161
... surface in Fig . 8.10 ( h ) would require over 200 separate surface patches and 3 man - days of effort . Example 2. It is possible to use our feature - based approach to define more complicated secondary surfaces than can conveniently ...
... surface in Fig . 8.10 ( h ) would require over 200 separate surface patches and 3 man - days of effort . Example 2. It is possible to use our feature - based approach to define more complicated secondary surfaces than can conveniently ...
Pagina 304
... surface editing can be regarded as a difference surface d being added to the original surface /o, giving the revised surface /#, i.e., (1) It is possible to do this repeatedly, using a sequence rfi,... of difference surfaces. The ...
... surface editing can be regarded as a difference surface d being added to the original surface /o, giving the revised surface /#, i.e., (1) It is possible to do this repeatedly, using a sequence rfi,... of difference surfaces. The ...
Pagina 564
... Surface Raman Spectroscopy Step 8 , 16 , 19 , 27 , 29 , 43-44 , 49 , 62–64 energy 8 , 22 , 24 , 31-33 , 41 ... Surface Brillouin zone 49-53 adapted 187 , 193-194 , 529 Surface core level binding energy shifts 88 , 251 , 354-360 , 473 ...
... Surface Raman Spectroscopy Step 8 , 16 , 19 , 27 , 29 , 43-44 , 49 , 62–64 energy 8 , 22 , 24 , 31-33 , 41 ... Surface Brillouin zone 49-53 adapted 187 , 193-194 , 529 Surface core level binding energy shifts 88 , 251 , 354-360 , 473 ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words