Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 24
... theme " in which the word refers to subject - matter in the second sense ; if we ask " what is the theme of the Odyssey ? " we may be satisfied with the reply , " Odysseus and his adventures constitute the theme of the Odyssey . " But I ...
... theme " in which the word refers to subject - matter in the second sense ; if we ask " what is the theme of the Odyssey ? " we may be satisfied with the reply , " Odysseus and his adventures constitute the theme of the Odyssey . " But I ...
Pagina 25
... theme of a work of art . Just to what degree the theme is in and a part of the work of art is a matter of some question . The " representational content " is there ; it can be referred to and pointed to , and no one doubts that it is ...
... theme of a work of art . Just to what degree the theme is in and a part of the work of art is a matter of some question . The " representational content " is there ; it can be referred to and pointed to , and no one doubts that it is ...
Pagina 27
... theme in the way that a poem or drama can have a theme . We do speak of a " musical theme , " but here the word " theme " is ambiguous : the themes in music are not the Fall of Man or the exploits of Odysseus ; they are musical themes ...
... theme in the way that a poem or drama can have a theme . We do speak of a " musical theme , " but here the word " theme " is ambiguous : the themes in music are not the Fall of Man or the exploits of Odysseus ; they are musical themes ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words