Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 194
... true , " that stands the test of experience . The essence is verified by our being conditioned by it in our subsequent perceptions . And it is verified in experience : we need not hypostatize it to lend it dignity and importance . It is ...
... true , " that stands the test of experience . The essence is verified by our being conditioned by it in our subsequent perceptions . And it is verified in experience : we need not hypostatize it to lend it dignity and importance . It is ...
Pagina 195
... true - to " the way we hear things . " What it is generally claimed to be true - to , when this claim is made for it , is our emotional or affective nature . For example , " The real power of music lies in the fact that it can be ' true ...
... true - to " the way we hear things . " What it is generally claimed to be true - to , when this claim is made for it , is our emotional or affective nature . For example , " The real power of music lies in the fact that it can be ' true ...
Pagina 203
... true - to experience Whether the poet has given us knowledge about the world is , as Professor James says ... true " in experience , and saying that it is imaginatively true ; they seem to come to the same thing.61 The same holds true ...
... true - to experience Whether the poet has given us knowledge about the world is , as Professor James says ... true " in experience , and saying that it is imaginatively true ; they seem to come to the same thing.61 The same holds true ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words