Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 193
John Hospers. work of art is true - to , and this something else is often lost sight of in theories of art as " expression " or " creation " ; art thus conceived sounds too much like a whimsical flight of fancy with no roots in the world of ...
John Hospers. work of art is true - to , and this something else is often lost sight of in theories of art as " expression " or " creation " ; art thus conceived sounds too much like a whimsical flight of fancy with no roots in the world of ...
Pagina 194
... of seeing or feeling things which we can share with him . Without this sharability it could not be universal . Perhaps the essence he captures is true - to his own vision - it probably is ; but it is not the truth - to his own vision ...
... of seeing or feeling things which we can share with him . Without this sharability it could not be universal . Perhaps the essence he captures is true - to his own vision - it probably is ; but it is not the truth - to his own vision ...
Pagina 195
John Hospers. sensitize our perceptions in the particular sense - modality in which it is presented . Music is not true - to " the way we hear things . " What it is generally claimed to be true - to , when this claim is made for it , is ...
John Hospers. sensitize our perceptions in the particular sense - modality in which it is presented . Music is not true - to " the way we hear things . " What it is generally claimed to be true - to , when this claim is made for it , is ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words