Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
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Pagina 155
... truth ? or empirical truth of any sort ? ( I prefer to say " empirical truth " rather than " scientific truth " be- cause there are some empirical or factual truths which are not the subject - matter of any science . For example ...
... truth ? or empirical truth of any sort ? ( I prefer to say " empirical truth " rather than " scientific truth " be- cause there are some empirical or factual truths which are not the subject - matter of any science . For example ...
Pagina 162
John Hospers. 6 " Artistic Truth " THE SORT OF TRUTH we have been discussing thus far is the truth of assertions and might be called " propositional truth , " or truths stating facts about some subject - matter or other . And we have al ...
John Hospers. 6 " Artistic Truth " THE SORT OF TRUTH we have been discussing thus far is the truth of assertions and might be called " propositional truth , " or truths stating facts about some subject - matter or other . And we have al ...
Pagina 208
John Hospers. 7 The Artistic Relevance of Truth I WE HAVE NOW SPENT considerable time in considering the various senses in which what we call " truth " may be said to be presented in works of art . We discussed first of all " truth ...
John Hospers. 7 The Artistic Relevance of Truth I WE HAVE NOW SPENT considerable time in considering the various senses in which what we call " truth " may be said to be presented in works of art . We discussed first of all " truth ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words