Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 116
... universal and essential quality of art , significant form , was missing , or rather had dwindled to a shallow stream , overlaid and hidden beneath weeds , so the universal response , esthetic emotion , was not evoked . It was not till ...
... universal and essential quality of art , significant form , was missing , or rather had dwindled to a shallow stream , overlaid and hidden beneath weeds , so the universal response , esthetic emotion , was not evoked . It was not till ...
Pagina 163
... universal truth , history about particular . In what manner , for example , any person of a certain char- acter would speak or act , probably or necessarily - this is universal ; and this is the object of poetry . But what Alcibiades ...
... universal truth , history about particular . In what manner , for example , any person of a certain char- acter would speak or act , probably or necessarily - this is universal ; and this is the object of poetry . But what Alcibiades ...
Pagina 164
... universal element in human life .... Fine art eliminates what is transient and particular and reveals the permanent and essential features of the original . It discovers the " form " ( eidos ) towards which an object tends , the result ...
... universal element in human life .... Fine art eliminates what is transient and particular and reveals the permanent and essential features of the original . It discovers the " form " ( eidos ) towards which an object tends , the result ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words