Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 181
... vision or essence , but he must also be such a master of words that he can communicate his vision through this highly resistant medium . In this connection we may touch upon a point which has been mentioned once before : Language ...
... vision or essence , but he must also be such a master of words that he can communicate his vision through this highly resistant medium . In this connection we may touch upon a point which has been mentioned once before : Language ...
Pagina 185
... vision becomes highly specialized in their service . With an admirable economy we learn to see only so much as is ... vision abstracted from necessity . Now this specialization of vision goes so far that ordinary people have almost no ...
... vision becomes highly specialized in their service . With an admirable economy we learn to see only so much as is ... vision abstracted from necessity . Now this specialization of vision goes so far that ordinary people have almost no ...
Pagina 194
... vision - it probably is ; but it is not the truth - to his own vision that is important ; what is important is that his vision is and can be the vision of others - that he can " dive into the flux " and come back with a vision that we ...
... vision - it probably is ; but it is not the truth - to his own vision that is important ; what is important is that his vision is and can be the vision of others - that he can " dive into the flux " and come back with a vision that we ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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Parole e frasi comuni
artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words