Meaning and Truth in the ArtsArchon Books, 1964 - 252 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 172
... whole series of events inspired by the human motives of hate , greed , and vengeance in one particular situation . At the end of the drama , the network of events initiated before the drama began has " worked itself out . " Now , in the ...
... whole series of events inspired by the human motives of hate , greed , and vengeance in one particular situation . At the end of the drama , the network of events initiated before the drama began has " worked itself out . " Now , in the ...
Pagina 176
... whole woodsful of these abstract trees he calls it " some branchy bunchy bushybowered wood , " because he wants to feel as though it were here . Even indeed when there are no trees in question , and no " thing " in question at all ...
... whole woodsful of these abstract trees he calls it " some branchy bunchy bushybowered wood , " because he wants to feel as though it were here . Even indeed when there are no trees in question , and no " thing " in question at all ...
Pagina 210
... whole effect would be destroyed if any element in the painting were altered . And all this may be true enough , but this cannot be the criterion for determining the relevance of these elements to the works as works of art , for would ...
... whole effect would be destroyed if any element in the painting were altered . And all this may be true enough , but this cannot be the criterion for determining the relevance of these elements to the works as works of art , for would ...
Sommario
PRELIMINARY DISTINCTIONS | 3 |
In Painting | 38 |
PROPOSITIONAL TRUTH | 141 |
Copyright | |
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artist assertion baroque music beauty Beethoven Bell certainly Cézanne Chapter character Charles Mauron Clive Bell colors common composition convention critics described discussed distinction drama Eastman effect essence esthetic experience esthetic form esthetic surface evocation evoke example expression fact feeling George Santayana give Gurney Hanslick historical I. A. Richards Ibid images imaginative imitate important interest irrelevant kind knowledge L. A. Reid language life-values listener literary literature Marc Chagall material matter Max Eastman meaning medium merely mind musical experiences natural symbol notion novel objects Odyssey painter painting particular perception person plastic poem poet poetic present Professor Greene program music propositions psychological pure question realism reality refer referential relevant represent representational Roger Fry Santayana sense significant form simply sounds speak statements subject-matter Sullivan T. E. Hulme term theme things tion true true-to truth usage vision visual words