The Works of Shakespeare, Volume 1 |
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Pagina xiii
Yet Dryden , although he will play any conceivable trick in ' adapting ' - witness All for Love and his misdeed , with D'Avenant's aid , upon The Tempest - never speaks of Shakespeare but as a classic . In practice Shakespeare is so ...
Yet Dryden , although he will play any conceivable trick in ' adapting ' - witness All for Love and his misdeed , with D'Avenant's aid , upon The Tempest - never speaks of Shakespeare but as a classic . In practice Shakespeare is so ...
Pagina xxv
a scene opens with Enter Romeo , and with Romeo's remark ' He jests at scars that never felt a wound ' - quite as if he had barked his shins in climbing over the wall , and his romantic amorous ardour was making nothing of it .
a scene opens with Enter Romeo , and with Romeo's remark ' He jests at scars that never felt a wound ' - quite as if he had barked his shins in climbing over the wall , and his romantic amorous ardour was making nothing of it .
Pagina 111
Yet this must have been the version which , played at Covent Garden on July 10 , 1815 , so disgusted Hazlitt that he “ almost came to the resolution of never going to another representation of a play of Shakespeare's as long as we lived ...
Yet this must have been the version which , played at Covent Garden on July 10 , 1815 , so disgusted Hazlitt that he “ almost came to the resolution of never going to another representation of a play of Shakespeare's as long as we lived ...
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Sommario
TITLEPAGE OF THE FIRST FOLIO PRONTISPIECE | vii |
TEXTUAL | xxix |
THE PRINCESS ELIZABETH DAUGHTER | xliv |
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Parole e frasi comuni
Alonso Antonio appears Ariel bear Boatswain bring Caliban called close comes compositor copy critics daughter drowned edition editor English Enter eyes fall father Ferdinand Folio follow give given Gonzalo hand hast hath head hear heart hour I'll island keep kind king least less light live look lord lost mark master means Milan mind Miranda misprint monster Naples nature never once original passage performance perhaps play present printed probably prose Prospero Quartos reason reference rest revision scene Sebastian Shake Shakespeare Shakespearian ship sleep speak speech spelling spirit stand Stephano story strange suggest tell Tempest thee thing thou thought Trinculo true turn verse whole