The Arts of the BeautifulScribner, 1965 - 189 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 20
... practical goals in mind , and what proportion answers disinterested purposes . We cannot exclude a priori the possibility that very early in the his- tory of the species , man made things simply for the pleasure of making them . Like ...
... practical goals in mind , and what proportion answers disinterested purposes . We cannot exclude a priori the possibility that very early in the his- tory of the species , man made things simply for the pleasure of making them . Like ...
Pagina 21
... practical purposes . The useful is what serves a need . There is no opposition between beauty and usefulness , for beauty may serve useful purposes ( in a sense it always does ) , yet beauty is not made in view of its possible utility ...
... practical purposes . The useful is what serves a need . There is no opposition between beauty and usefulness , for beauty may serve useful purposes ( in a sense it always does ) , yet beauty is not made in view of its possible utility ...
Pagina 43
... practical problem of the relations of art to morality . The only good that art as such has to pursue is the perfection of the work . Its responsibility is no more to promote moral perfection , which is the good Corollaries in Esthetics 43.
... practical problem of the relations of art to morality . The only good that art as such has to pursue is the perfection of the work . Its responsibility is no more to promote moral perfection , which is the good Corollaries in Esthetics 43.
Sommario
2 | 24 |
COROLLARIES IN ESTHETICS | 35 |
INTUITION EXPRESSION SYMBOLISM | 56 |
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A. E. Housman abstract abstract art activity apprehension Aristotle artist become called cause Christian Church cognition colors conceived Council of Nicaea create creation creative critic define Demiurge distinction divine Divine Comedy emotions essence essentially esthetic experience ethics existence express fact factivity feel function genius Goethe Greek idea ideal images imitation inasmuch insofar intellect intelligible invention judgments Kant kind knowledge language Leibniz Lucretius masterpiece material matter means metaphysics mind modern musician nature never Nietzsche notion object ontology operations painter painting Paul Valéry perfect philistinism philoso philosophers philosophy of art Plato pleasure poem poet poetic poetry poietic possible precisely principle problem produce prose pure reality reason religion remark Saint sake sculpture seminal form sense sort speak symbol teach theologians Thomas Aquinas thought tion transcendental true truth unity Valéry verse words worship write