This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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... and an Eternal Self The Despair which Is Conscious of Being Despair (1) Despair at Not Willing to Be Oneself (Weakness) (2) The Despair of Willing Despairingly to Be Oneself (Defiance) TRAINING IN CHRISTIANITY (1850) “Come Hither, ...
Later on this inverted pretense was dropped; but the only “authority” he ever coveted was the authority his words might have as they echoed through the consciousness of that “solitary individual” to whom they were all dedicated.
And because I could not adapt everything to my own mind I withdrew, conscious of my own ability, rather like a worn out parson resigning with a pension. What did I find? Not my Self, which was The Journals 5.
... like the child calling itself “I” with its first conscious action, to call myself “I” in any deeper SČIlSČ. But for that patience is necessary, and one cannot reap immediately where one has sown. I shall bear in mind the method of ...
... for therein speculation has a medium which it did not itself choose; and what the eternal mystery of consciousness is for speculation, as the unity of natural qualifications and the qualification of freedom, such also is language, ...
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847