This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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Even so, I am afraid that if ever I meet him in heaven, he is going to turn a reproachful yet forgiving countenance in my direction! In most cases I believe that I have given a correct impression of the entire work from which a part has ...
... against Hegelian philosophy—though in point of time he had been one of the very first to react against Hegel's intellectualism and to launch the counter-movement in the direction of temporality, concreteness and the “individual.
concerned individual who, not unmindful of his eternal destiny, seeks an absolute direction for his life amid the relativities of time. To such a one Kierkegaard speaks—indirectly at first, then directly and with mounting eloquence.
A gradual return in the direction of 'his old home' (i.e. the Christian position) culminated, on his 25th birthday, 5 May 1838 . . . in a thorough reconciliation with his father, which was followed a few days later (19 May at Io:30 ...
A hint, however, of the direction in which the author looks for a solution of the problem is provided by the concluding section of the book, a sermon by a country parson, a friend of Judge William's, on “The Edification Implied in the ...
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847