This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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... and Every Perfect Gift Is from Above” IIO (James 1:17–22) FEAR AND TREMBLING (1843) II6 The Knight of Faith and the Knight of Infinite Resignation 118 Problem I: Is There Such a Thing as a Teleological Suspension of the Ethical?
Knowledge and faith, for Kierkegaard, are polar opposites: knowledge is objectively certain, but it deals only with “the possible,” i.e. the hypothetical (cause and effect, condition and conditioned, premise and conclusion); faith is ...
The central notion of the Christian faith—the idea of God in time—is purely and simply a contradiction, for God is by definition eternal. The early Christians knew that their faith was not intellectually respectable, and they believed ...
The advent of Christianity posed a new problem for philosophy, a solution of which was reached in the medieval synthesis of St. Thomas Aquinas: faith and reason were harmonized by carefully delineating their respective spheres.
Faith, surely, implies an act of the will, and moreover not in the same sense as when I say, for instance, that all apprehension implies an act of the will; how can I otherwise explain the saying in the New Testament that whatsoever is ...
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847