This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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I hope also that a goodly number may, like the Hegelians satirized by S.K., feel themselves inclined to “go further”— into Kierkegaard, and not beyond Christianity! It is now my privilege to mention the names of some who, in one way and ...
It is for this reason, and this reason alone, that Kierkegaard attacks “the aesthetic way of life,” the way of feeling and enjoyment, the way of “immediacy”; ... in its etymological sense of feeling, (Greek aiotăvouai, “to feel.
... or else we realize the inequality of rank and position, at one moment enviously feeling the lack of what has been given to others, at another time with a thankful melancholy seeing how much has been given to us which has been denied ...
As I stood there, without that feeling of dejection and despondency which makes me look upon myself as the enclitic of the men who usually surround me, and without that feeling of pride which makes me into the formative principle of a ...
Faust did not want to know evil in order to rejoice that he was not so bad (only the bourgeois does that), but on the contrary he wants to feel all the sluices of sin opening within his own breast, the whole immense realm of ...
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847