This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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Hence it becomes clearer precisely in what the ethicist differs from the aestheticist, namely in the quality of his pathos and in his more calm and secure assurance with respect to the problems of life; a moral and existential ...
I assume that it is the end and aim of every man to enjoy himself, and hence my disjunction is no less correct. . . . Now since boredom, as shown above, is the root of all evil, what can be more natural than the effort to overcome it?
Life in its entirety moves in these two currents, and hence it is essential to have them under control. It is impossible to live artistically before one has made up one's mind to abandon hope; for hope precludes self-limitation.
Hence, when you begin to notice that a certain pleasure or experience is acquiring too strong a hold upon the mind, you stop a moment for the purpose of remembering. No other method can better create a distaste for continuing the ...
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847