This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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My selections are arranged chronologically because they had to be arranged in some order and the chronological seemed less arbitrary or at any rate less open to objection than any “systematic” schemework that might be imposed upon them; ...
By choosing passages that are relatively self-contained and suffer less than others from being lifted out of context, I have sought to mitigate the harshness of S.K.'s judgment upon me for laying “violent hands” on his ...
As intimated in the Preface, this anthology seeks to give a more or less continuous picture of S.K. and what he was thinking (the two being really one) from the time of the first entries in the Journals until his death some twenty years ...
His knowledge of women is amazing (though debatable), but he is no less an artist than a psychologist, and once the stage has been carefully set, the consummation follows with telling swiftness. After the somewhat “hectic eloquence” of ...
No one should be permitted to own any property. Only in my own case would there be an exception. I reserve to myself securities in the Bank of London to the value of one hundred dollars a day, partly because I cannot do with less, ...
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847