This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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One of the Scandinavians to be deeply influenced by S.K. was the great dramatist Henrik Ibsen—though the nature of this influence has been subject to much debate. See Werner Möhring, Ibsen und Kierkegaard; Miguel de Unamuno, ...
Today, says Kierkegaard, the situation is exactly the opposite: one becomes a Christian by the easiest and most natural of processes. Not only have the sacraments of the Church been formalized to the point where they are little more ...
This again does not mean that one should not take pleasure in worshiping God; it means that the worship must go back to something which is not aesthetic to begin with—not simply “doing the natural thing” in a “Christian” society, ...
She certainly brought me to the point at which anxiety drove me to extremes; but then with gigantic strength I constrained my whole nature so as to repel her. There was only one thing to do and that was to repel her with all my powers.
It is inconceivable that nature should require nine months to produce such beings; they ought rather to be turned out by the score. The second class, the aristocrats, are those who bore themselves. As noted above, they generally ...
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847