This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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In The Point of View for my Work as an Author S.K. tells us that the whole of his authorship centers about this one question; everything he wrote is relevant to it—even the Diary of the Seducer—and he proceeds to show us how.
... the saying in the New Testament that whatsoever is not of faith is sin.” Dec. 23. Should a great man be judged according to different principles from other men? People have often answered this question with Yes, but I think No.
Everything is a question of ear—the rules of grammarthe dictates of the law—a thorough-bass—the philosophical system— and therefore the next life is also represented as nothing but music, a great harmony—may my life's discord soon end ...
Most men think, talk, and write as they sleep, eat, and drink, without ever raising the question of their relation to the idea; this only happens among the very few and then that decisive moment has in the very highest degree either the ...
In this form “the reader is asked a question, not furnished with an answer. . . The ethicist is not decked out with a superior dialectical skill” (as in Plato's dialogues); “on the contrary, the aestheticist appears to be unquestionably ...
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847