This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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Perhaps another editor would have placed this first, as I seriously considered doing; yet there is a good reason for not having this “point of view,” illuminating as it is, too clearly in mind while reading the early “aesthetic” works ...
608 (April 10, 1942). * Reinhold Niebuhr. *See the new Soviet philosophical dictionary. For the relation between Kierkegaard and Karl Marx see also Herbert Marcuse, Reason and Revolution. 5 See “Existentialism: a ...
The man who pretends that his view of life is determined by sheer reason is both tiresome and unperceptive:” he fails to grasp the elementary fact that he is not a pure thinker, but an existing individual. To one who has chosen Christ, ...
It is for this reason, and this reason alone, that Kierkegaard attacks “the aesthetic way of life,” the way of feeling and enjoyment, the way of “immediacy”; and it is important to realize this. His assault has nothing to do with ...
... the Gospel (or what they think to be the Gospel) because it is made easy and attractive for them; but they may accept it because it is made to appeal to their intellects as logical or reasonable—i.e. as sanctioned by human reason.
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847