This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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That is to say: Here a man must be sacrificed, he is needed to impart a particular taste to the rest. These are the correctives. It is a woeful error if he who is used for applying the corrective becomes impatient and would make the ...
... Rest” The Invitation: Three Interpretations The Obstacle: Objections: Six Queries The Inviter Christianity as the Absolute: Contemporaneousness with Christ The Moral From on High He Will Draw All unto Himself: Christian Expositions.
... would first of all allow the centripetal and centrifugal forces to harmonize its existence, and then let the rest take its course—similarly, it is useless for a man to determine first of all the outside and afterwards fundamentals.
People hardly ever make use of the freedom which they have, for example, freedom of thought; instead they demand freedom of speech as a compensation. The noble alley of the Fathers, in whose shade I can still sometimes find rest.
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847