This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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A poet is an unhappy being whose heart is torn by secret sufferings, but whose lips are so strangely formed that when ... Now it is understood that a critic resembles a poet to a hair; he only lacks the suffering in his heart and the ...
By choosing passages that are relatively self-contained and suffer less than others from being lifted out of context, I have sought to mitigate the harshness of S.K.'s judgment upon me for laying “violent hands” on his ...
It was a way that led through suffering known only to himself, though we can appreciate something of what it cost to become “the exception” and to be “sacrificed” for the edification of mankind. It was a way that led through conflict ...
... turn to God, and taught by him your youth will be strengthened to the work of manhood; you will never experience what he must suffer who, after having wasted the strength and courage of his youth in rebellion against Him, must now, ...
1841 It requires more courage to suffer than to act, more courage to forget than to remember, and perhaps the most wonderful thing about God is that he can forget man's sins. My doubt is terrible.—Nothing can withstand it—it is a cursed.
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847