This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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Kierkegaard's “time” has come; his position in the history of Western thought is in one sense assured. The past decade has seen the publication in English of all his major works, whereas not a single complete translation existed ...
If purity of heart, in Kierkegaard's beautiful formula, is “to will one thing,” then purity of mind is to think one thing—“not to have many thoughts, but to have one thought” (like Socrates, who “always said the same thing”) and that ...
The term is Paul Tillich's, but the thought is Kierkegaardian. * David F. Swenson, Something about Kierkegaard, pp. 105-106. * S.K. uses the word “aesthetic” in its etymological sense Introduction XX1.
But S.K. was also a Protestant, and the whole tenor of his thought points toward a new and distinctively Protestant synthesis, parallel to the medieval Catholic one. In the “philosophical theology” of Paul Tillich we can see the ...
... the faculty in which he had long been inscribed, and two years later he passed his examination cum laude. He never became a pastor, yet almost to the end of his life he thought of this as a possibility and cherished it as an ideal.
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847