This anthology covers the whole of Kierkegaard's literary career. The selections range from the terse epigrams of the Journal through the famous "Diary of the Seducer" and the "Banquet" scene, in which Søren Kierkegaard reveals his great lyric and dramatic gifts, on to the philosophical and psychological works of his maturity. These are climaxed by the beautiful and moving religious discourses which accompany them; finally, there is the biting satire of his Attack upon "Christendom."
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I am wholly in sympathy with Dr. Philip Merlan in his contention that “to understand Kierkegaard, it is by no means necessary to find out the history of his engagement, whether his father did or did not curse God, and so forth; ...
And his task is to understand the multiplicity of things from this particular point of view. It is true that Adolf Hitler was an existential thinker, of sorts; so are most of the inmates of insane asylums. To this charge, so frequently ...
The early Christians knew that their faith was not intellectually respectable, and they believed against the understanding; the modern Christian, after hearing the sermon of a Liberal Protestant clergyman or reading a Catholic treatise ...
As Lowrie says, he was essentially a “Catholic Christian””—understanding the word “catholic” in its broadest sense as the opposite of sectarianism and one-sidedness of every sort. But S.K. was also a Protestant, and the whole tenor of ...
Seen thus in perspective only the broad and powerful outline showed, and I did not, as so frequently happens to me, lose myself in the moment, but saw everything as a whole and was strengthened to understand things differently, ...
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THE POINT OF VIEW FOR MY WORK AS AN AUTHOR 1848
THE SICKNESS UNTO DEATH 1849
TRAINING IN CHRISTIANITY 1850
Two DISCOURSES AT THE COMMUNION ON FRIDAYS 1851
THE JOURNALS 18501854
THE ATTACK UPON CHRISTENDOM 18541855
Disproves It at the Same Time
THE PRESENT AGE 1846
EDIFYING DISCOURSES IN VARIOUS SPIRITS 1847
WORKS OF LOVE 1847