A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 70
Pagina 5
Louis Arnaud Reid. contents . The Preliminary Chapter is of general interest . Chapter I is introductory , and works up to a provisional definition , the terms of which are discussed at length in Chapters II to V. In Chapter II the non ...
Louis Arnaud Reid. contents . The Preliminary Chapter is of general interest . Chapter I is introductory , and works up to a provisional definition , the terms of which are discussed at length in Chapters II to V. In Chapter II the non ...
Pagina 205
... chapter , and I shall return to the subject in Chapter XII ( on " The Competition of Interests in Works of Art " ) . There I shall ask such questions as , Can there , in Opera , be a real fusion of interests ? or , Is Opera to be ...
... chapter , and I shall return to the subject in Chapter XII ( on " The Competition of Interests in Works of Art " ) . There I shall ask such questions as , Can there , in Opera , be a real fusion of interests ? or , Is Opera to be ...
Pagina 206
Louis Arnaud Reid. the ' real ' ( Chapter X ) , will arise mainly , though again not exclusively , from consideration of the content - side . Or we might place under ( 2 ) the problem of the classic and the romantic ( Chapter XIII ) ...
Louis Arnaud Reid. the ' real ' ( Chapter X ) , will arise mainly , though again not exclusively , from consideration of the content - side . Or we might place under ( 2 ) the problem of the classic and the romantic ( Chapter XIII ) ...
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activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words