A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 60
... EMBODIMENT OF VALUE ( 3 ) The aesthetic unit is an embodiment of value . There is an obvious and verbal sense in which it is ' embodiment of value ' . I.e. , it is embodiment which is of value , which possesses value ( of some kind ) ...
... EMBODIMENT OF VALUE ( 3 ) The aesthetic unit is an embodiment of value . There is an obvious and verbal sense in which it is ' embodiment of value ' . I.e. , it is embodiment which is of value , which possesses value ( of some kind ) ...
Pagina 170
... embodiment . These other factors may also enter in as ends , and I shall return to the subject shortly . But meanwhile , aesthetic embodiment is the prime aim of technique , and aesthetic embodiment is , aesthetically , an end in itself ...
... embodiment . These other factors may also enter in as ends , and I shall return to the subject shortly . But meanwhile , aesthetic embodiment is the prime aim of technique , and aesthetic embodiment is , aesthetically , an end in itself ...
Pagina 203
... aesthetic object is a unity of two factors , the content , or the what , which is embodied , and the body in which it appears . The whole we have called ' Embodiment ' . Aesthetic Embodi- ment is a fusion by imagination of content with ...
... aesthetic object is a unity of two factors , the content , or the what , which is embodied , and the body in which it appears . The whole we have called ' Embodiment ' . Aesthetic Embodi- ment is a fusion by imagination of content with ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words