A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 33
... aesthetic ' experience . So too it would generally be said that the vivid remember- ing , or possibly the vivid constructive imagining , of , say , a piece of music by a man like Mozart , is a real aesthetic experience . The same is ...
... aesthetic ' experience . So too it would generally be said that the vivid remember- ing , or possibly the vivid constructive imagining , of , say , a piece of music by a man like Mozart , is a real aesthetic experience . The same is ...
Pagina 37
... aesthetic experience , which is at least a perceptual or imaginal experience , we may proceed to ask , What of its specific differences ? ( We have already said that there are differences -that the term ' aesthetic ' is not to be taken ...
... aesthetic experience , which is at least a perceptual or imaginal experience , we may proceed to ask , What of its specific differences ? ( We have already said that there are differences -that the term ' aesthetic ' is not to be taken ...
Pagina 44
... aesthetic experience discovery , or is it merely projection ? In aesthetic experience have we to do merely with an appearance ( to a mind ) and with nothing more ? What then happens to our ' standards ' of aesthetic taste ? In the ...
... aesthetic experience discovery , or is it merely projection ? In aesthetic experience have we to do merely with an appearance ( to a mind ) and with nothing more ? What then happens to our ' standards ' of aesthetic taste ? In the ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words