A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 91
Pagina 190
... apprehend the most complex objects as single wholes . Thus , though we cannot simultaneously apprehend , so as to be able to count them , more than about five or six momentarily exposed visual entities ( dots , for example ) , and ...
... apprehend the most complex objects as single wholes . Thus , though we cannot simultaneously apprehend , so as to be able to count them , more than about five or six momentarily exposed visual entities ( dots , for example ) , and ...
Pagina 256
... apprehend , this world of fact without being in a cognitive relation to it . If ' r ' symbolises relation and M symbolises the apprehending mind , then what exists in any cognitive situation is never F only , but F ( r M ) : ' r M ' is ...
... apprehend , this world of fact without being in a cognitive relation to it . If ' r ' symbolises relation and M symbolises the apprehending mind , then what exists in any cognitive situation is never F only , but F ( r M ) : ' r M ' is ...
Pagina 382
... apprehend are themselves - at any rate as regards their form - the product of finite minds ; their struc- tures which we perceive have been made like that in order that the mind of the artist ( and probably other minds ) may experience ...
... apprehend are themselves - at any rate as regards their form - the product of finite minds ; their struc- tures which we perceive have been made like that in order that the mind of the artist ( and probably other minds ) may experience ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words