A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 14
... artist as an interfering meddler who tries to teach artists their proper business , by laying down a priori laws about matters con- cerning which he is unfit to judge . The artist has also been known to attack the critic for very much ...
... artist as an interfering meddler who tries to teach artists their proper business , by laying down a priori laws about matters con- cerning which he is unfit to judge . The artist has also been known to attack the critic for very much ...
Pagina 15
... Artists there are , of course , who possess a flair for abstract inquiry . But the artist , qua artist , is concerned with making , and not with pulling ideas to pieces in abstract inquiry . Abstract inquiry , the artist tends to think ...
... Artists there are , of course , who possess a flair for abstract inquiry . But the artist , qua artist , is concerned with making , and not with pulling ideas to pieces in abstract inquiry . Abstract inquiry , the artist tends to think ...
Pagina 289
... artist affect his artistic vision ? Our interest is not in some general morality , but in morality as it is lived and trans- formed by the artist's personality , and in the possible effects of this upon him as an artist . III . HOW ARE ...
... artist affect his artistic vision ? Our interest is not in some general morality , but in morality as it is lived and trans- formed by the artist's personality , and in the possible effects of this upon him as an artist . III . HOW ARE ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words