A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 258
... asserting that they are so and so . We get , not F ( r M ) taken as X or Y but F ( r M ) asserted to be X or Y. Proposition- making is merely the explicit expression of an interpretation which exists before it is made explicit . It is ...
... asserting that they are so and so . We get , not F ( r M ) taken as X or Y but F ( r M ) asserted to be X or Y. Proposition- making is merely the explicit expression of an interpretation which exists before it is made explicit . It is ...
Pagina 261
... asserted , form the complex propositum , are related in real fact ( independently of relation to mind ) as the proposition asserts them to be , then the proposition is true . If the terms and relations which , asserted , form the ...
... asserted , form the complex propositum , are related in real fact ( independently of relation to mind ) as the proposition asserts them to be , then the proposition is true . If the terms and relations which , asserted , form the ...
Pagina 265
... asserted perspected reality , is not an asserted perspective . Art is not a proposition , or a ART , TRUTH , AND REALITY 265 Propositions and Works of Art.
... asserted perspected reality , is not an asserted perspective . Art is not a proposition , or a ART , TRUTH , AND REALITY 265 Propositions and Works of Art.
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words