A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 77
... associations through their intrinsic suggestiveness rather than by the reverse process . Their effects cannot be entirely due to association . A certain kind of crude pink comes to have vulgar associations because something in pinkness ...
... associations through their intrinsic suggestiveness rather than by the reverse process . Their effects cannot be entirely due to association . A certain kind of crude pink comes to have vulgar associations because something in pinkness ...
Pagina 97
... associations ' tied ' and ' free ' , by contiguity in time and in place , by similarity , by contrast ( or by ' continuity ' in Ward's sense1 ) . It will include associations ... associations have become fused I. TWO REMARKS ON ASSOCIATION.
... associations ' tied ' and ' free ' , by contiguity in time and in place , by similarity , by contrast ( or by ' continuity ' in Ward's sense1 ) . It will include associations ... associations have become fused I. TWO REMARKS ON ASSOCIATION.
Pagina 102
... associations I have not attempted to mark off private and subjective associations — such as the association of a colour with a certain person or political party - from associations which are relatively more common to all of us ( such as ...
... associations I have not attempted to mark off private and subjective associations — such as the association of a colour with a certain person or political party - from associations which are relatively more common to all of us ( such as ...
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activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words