A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 157
... called the ' work of art ' . And ( 4 ) only . Here I follow common custom in terminology . Shouting may ( sometimes ) be ' art ' ; so is producing a picture ' art ' . And the produced shout might be called ' art ' . On the other hand we ...
... called the ' work of art ' . And ( 4 ) only . Here I follow common custom in terminology . Shouting may ( sometimes ) be ' art ' ; so is producing a picture ' art ' . And the produced shout might be called ' art ' . On the other hand we ...
Pagina 175
... called generally ' Contemplative aesthetic activity ' . ( 2 ) and ( 3 ) may be called ' Productive aesthetic activity ' , or ' Artistic production ' . This has ' Contemplative aesthetic activity ' as its ' final cause ' . of his amazing ...
... called generally ' Contemplative aesthetic activity ' . ( 2 ) and ( 3 ) may be called ' Productive aesthetic activity ' , or ' Artistic production ' . This has ' Contemplative aesthetic activity ' as its ' final cause ' . of his amazing ...
Pagina 242
... called great , the same is true : he too has capacity for comprehension of the complex , and he too has insight into the bearing of the whole upon this or that problem of practice . All real great- ness seems to imply this grasp of the ...
... called great , the same is true : he too has capacity for comprehension of the complex , and he too has insight into the bearing of the whole upon this or that problem of practice . All real great- ness seems to imply this grasp of the ...
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activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words