A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 49
Pagina 31
... Certainly we cannot say that ' aesthetic ' experience is ' Let me say here , in order to avoid possible future confusions , that the view of beauty which I shall defend will be that beauty is perfect expressiveness . This is a different ...
... Certainly we cannot say that ' aesthetic ' experience is ' Let me say here , in order to avoid possible future confusions , that the view of beauty which I shall defend will be that beauty is perfect expressiveness . This is a different ...
Pagina 126
... certainly cannot dismiss them . Natural election in a plain , straightforward sense certainly exists and is but another name for natural law . We cannot , therefore , gainsay its truth . The question , however , is not of the first ...
... certainly cannot dismiss them . Natural election in a plain , straightforward sense certainly exists and is but another name for natural law . We cannot , therefore , gainsay its truth . The question , however , is not of the first ...
Pagina 270
... certainly poetry and the other arts are ' real ' and are in their own way believed in , and surely in some sense they imply what is beyond themselves . They are real in the sense that the perceived body which is an essen- tial part of ...
... certainly poetry and the other arts are ' real ' and are in their own way believed in , and surely in some sense they imply what is beyond themselves . They are real in the sense that the perceived body which is an essen- tial part of ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words