A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 13
... common . The very intensity of the interest in an end , produces an intensity of interest in the means to the end , so that when intellectual or other differences about means arise , they are apt to swamp all sense of common interest in ...
... common . The very intensity of the interest in an end , produces an intensity of interest in the means to the end , so that when intellectual or other differences about means arise , they are apt to swamp all sense of common interest in ...
Pagina 117
... common sense , and which is held to - day by philosophers like Professor Moore , Professor Laird , and , more recently , by Dr. Olaf Stapledon in his book , A Modern Theory of Ethics . I say ' roughly speaking ' because the common ...
... common sense , and which is held to - day by philosophers like Professor Moore , Professor Laird , and , more recently , by Dr. Olaf Stapledon in his book , A Modern Theory of Ethics . I say ' roughly speaking ' because the common ...
Pagina 119
... common sense may say that the geniality , the ' goodness ' of the warmth is in the fire , just as unreflective common sense may think of gold or diamonds as intrinsically precious . But the slightest reflection , even of unreflective common ...
... common sense may say that the geniality , the ' goodness ' of the warmth is in the fire , just as unreflective common sense may think of gold or diamonds as intrinsically precious . But the slightest reflection , even of unreflective common ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words