A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 64
Pagina 215
... complex with a body in space , the poem or the symphony are complexes with bodies in time , and perfection of expres ... complex , vastly more so than the content - side of simple sense data . And , generally speaking , where any part of ...
... complex with a body in space , the poem or the symphony are complexes with bodies in time , and perfection of expres ... complex , vastly more so than the content - side of simple sense data . And , generally speaking , where any part of ...
Pagina 242
... complex , and he too has insight into the bearing of the whole upon this or that problem of practice . All real great- ness seems to imply this grasp of the complex , with a sense of proportion and relevance . The difference between ...
... complex , and he too has insight into the bearing of the whole upon this or that problem of practice . All real great- ness seems to imply this grasp of the complex , with a sense of proportion and relevance . The difference between ...
Pagina 261
... complex propositum , are not related in real fact , as the proposition asserts them to be , then the proposition is ... complex propositum in the case of a true proposition is an undistorted perspective ( taken assertively ) of a complex ...
... complex propositum , are not related in real fact , as the proposition asserts them to be , then the proposition is ... complex propositum in the case of a true proposition is an undistorted perspective ( taken assertively ) of a complex ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words