A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 34
... course be selec- tive and constructive so that we may , and do , continually image what has not been , and again , what could not be , actually perceived . ) The theory of the status of images is of course a difficult question which one ...
... course be selec- tive and constructive so that we may , and do , continually image what has not been , and again , what could not be , actually perceived . ) The theory of the status of images is of course a difficult question which one ...
Pagina 72
... course they have form . In the first place each is one ; it has the form of unity . Again , the lengthening out of the note in time , is form , and that form may introduce an element of expressiveness distinct from that belonging to the ...
... course they have form . In the first place each is one ; it has the form of unity . Again , the lengthening out of the note in time , is form , and that form may introduce an element of expressiveness distinct from that belonging to the ...
Pagina 275
... course , for us it is the value - aspects of this or that perspective of reality which are principally revealed . If it sounds timid to say " in some examples of some arts at least " , it is necessary , because restraint is necessary ...
... course , for us it is the value - aspects of this or that perspective of reality which are principally revealed . If it sounds timid to say " in some examples of some arts at least " , it is necessary , because restraint is necessary ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words