A Study in AestheticsMacmillan, 1954 - 415 pagine |
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Pagina 134
... emotion ? Are there special emotions at all ? To both of these questions the answer ' Yes ' is often given . We have , it is often said , emotions corresponding to every instinct , and we are told1 that there is a special aesthetic emotion ...
... emotion ? Are there special emotions at all ? To both of these questions the answer ' Yes ' is often given . We have , it is often said , emotions corresponding to every instinct , and we are told1 that there is a special aesthetic emotion ...
Pagina 135
... emotion - psychosis . And aesthetic emotions which are , thus , just aesthetic experiences with stress laid on their excitement - aspect , are different as a class from other emotions , in the same degree and to the same extent as ...
... emotion - psychosis . And aesthetic emotions which are , thus , just aesthetic experiences with stress laid on their excitement - aspect , are different as a class from other emotions , in the same degree and to the same extent as ...
Pagina 270
... emotions . This is altogether too narrow . We may agree that one function of words in poetry ( or any other material in any other art ) is to call up emotion , and I suppose Mr. Richards would agree that our emotions depend upon the ...
... emotions . This is altogether too narrow . We may agree that one function of words in poetry ( or any other material in any other art ) is to call up emotion , and I suppose Mr. Richards would agree that our emotions depend upon the ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words