A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 177
... exist before expression , that expression is but translation into more solid material of something already given . But the work of art is not translation , it is construction : and it is creative construction in the sense that in the ...
... exist before expression , that expression is but translation into more solid material of something already given . But the work of art is not translation , it is construction : and it is creative construction in the sense that in the ...
Pagina 199
... exist there . What does exist is the subject - matter which detains him and fixes his thoughts and feeds his interest , giving a colour to his excite- ment which would be different with a different subject- matter . " 3 In short , the ...
... exist there . What does exist is the subject - matter which detains him and fixes his thoughts and feeds his interest , giving a colour to his excite- ment which would be different with a different subject- matter . " 3 In short , the ...
Pagina 219
... exists ' means ( b ) , ' nothing absolutely ugly exists ' , the case is more difficult . It certainly looks as if it followed , from what we have said , that nothing absolutely ugly can exist . This is the conclusion that Bosanquet ...
... exists ' means ( b ) , ' nothing absolutely ugly exists ' , the case is more difficult . It certainly looks as if it followed , from what we have said , that nothing absolutely ugly can exist . This is the conclusion that Bosanquet ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words