A Study in AestheticsMacmillan, 1954 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 274
... human frailty . " But the character must reveal the essential qualities of human nature , on a big scale , freed from irrelevance . The best , in other words , is the type of what fundamental human nature really is . It is not average ...
... human frailty . " But the character must reveal the essential qualities of human nature , on a big scale , freed from irrelevance . The best , in other words , is the type of what fundamental human nature really is . It is not average ...
Pagina 321
... human face , if he is interested , that is , simply in the general emotional values of plastic forms and their relations , he is not painting a human face at all . His subject - matter is merely a general arrangement of plastic forms ...
... human face , if he is interested , that is , simply in the general emotional values of plastic forms and their relations , he is not painting a human face at all . His subject - matter is merely a general arrangement of plastic forms ...
Pagina 363
... human nature , and human nature has legs that trip and fall . And human nature - in many moods - has the gift even of en- joying this without cruelty and with innocent relish . There are , of course , types of the comic , but it would ...
... human nature , and human nature has legs that trip and fall . And human nature - in many moods - has the gift even of en- joying this without cruelty and with innocent relish . There are , of course , types of the comic , but it would ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognition colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards Ibid idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter mental merely mind moral nature non-aesthetic painting perceived object perception perfection of expression perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed Roger Fry romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words